1. Cassiano Dal Pozzo
2. The Paper Museum Of Cassiano Dal Pozzo
3. Paper Museum Cassiano Dal Pozzo

During the 17th century the antiquarian Cassiano dal Pozzo embarked upon an epic attempt to document and record the major fields of knowledge of his day. Together with his younger brother Carlo Antonio he assembled what became known as the Museo Cartaceo or Paper Museum consisting of over 10,000 watercolours, drawings and prints illustrating. La Badoche, festa del patrono San Cassiano, in cui i giovani del paese fanno il giro delle case la mattina presto per annunciare la festa. Dopo la messa, danzano sul sagrato della chiesa. Dopo la messa, danzano sul sagrato della chiesa.

URI(s)

Instance Of

• SKOS Concept

Scheme Membership(s)

Collection Membership(s)

Variants

Additional Information

• Birth Date

  (edtf) 1588-02-21

• Death Date

  (edtf) 1657-10-22

• Descriptor

  Italians

• Birth Place

  (naf) Turin (Italy)

• Death Place

  (naf) Rome (Italy)

• Gender

  Males

• Associated Language

  ita

Exact Matching Concepts from Other Schemes

• http://viaf.org/viaf/sourceID/LC%7Cnr+90002617#skos:Concept

Closely Matching Concepts from Other Schemes

• Cassiano dal PozzoLabel from public data source Wikidata
• Dal Pozzo, Cassiano
• Dal Pozzo, Cassiano, 1588-1657

Sources

• found: Museo cartaceo di Cassiano Dal Pozzo, 1989:t.p. (Cassiano Dal Pozzo) p. 1 (b. 1588, Turin; d. 1657, Rome)
• found: Diz. biog. degli Ital., 1986:v. 32, p. 209 (Dal Pozzo, Cassiano iunior, b. Torino 2/21/1588) p. 210 (d. Roma 10/22/1657)

Change Notes

• 2019-05-21: revised

Alternate Formats

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• Cassiano dal Pozzo was an Italian scholar and patron of arts. The secretary of Cardinal Francesco Barberini, he was an antiquary in the classicizing circle of Rome, and a long-term friend and patron of Nicolas Poussin, whom he supported from his earliest arrival in Rome: Poussin in a letter declared that he was 'a disciple of the house and the museum of cavaliere dal Pozzo.'
• Cassiano dal Pozzo remarked of the painting in its former state, which he saw at Fontainebleau in 1625, that it had neither devotion, decorum nor similitude, the suavely beautiful, youthful and slightly androgynous Giovannino was so at variance with artistic conventions in portraying the Baptist – neither the older ascetic prophet nor the.

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Cassiano Dal Pozzo

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The Paper Museum Of Cassiano Dal Pozzo

Paper Museum Cassiano Dal Pozzo